Brown coal 12.7 GW dominates the left third of the scene as a massive lignite power complex with four hyperbolic cooling towers billowing thick white steam plumes into the black night sky, lit from below by orange sodium lamps; onshore wind 8.4 GW spans the right third as a long ridge of slowly turning three-blade turbines on lattice towers, their red aviation warning lights blinking against the stars; natural gas 6.3 GW occupies the center-right as two compact CCGT plants with tall single exhaust stacks venting thin heat shimmer, lit by harsh white industrial floodlights; hard coal 5.0 GW appears center-left as a coal-fired station with a single large smokestack and conveyor belts of dark fuel visible under arc lights; biomass 4.3 GW is rendered as a smaller wood-chip-fed CHP plant with a modest stack and steam, nestled between the coal and gas plants; hydro 1.0 GW appears as a small illuminated dam spillway in the far background valley; offshore wind 0.4 GW is a faint cluster of tiny blinking lights on the far horizon suggesting distant North Sea turbines. The sky is completely black with pinpoint stars and a nearly clear atmosphere, no moon, no twilight — deep winter night at 22:00. The air temperature near freezing is suggested by frost on metal railings and rime on bare deciduous trees lining a rural road in the foreground. The atmosphere feels heavy and oppressive despite the clear sky, with an amber-tinted industrial haze hanging low over the power stations, reflecting the high electricity price. Early spring bare-branched oaks and birches frame the composition. Painted in the style of a highly detailed 19th-century German Romantic oil painting — rich impasto brushwork, deep chiaroscuro contrasts between the glowing industrial facilities and the vast dark sky, atmospheric depth receding to the distant wind turbines, meticulous engineering detail on every turbine nacelle, cooling tower, and smokestack. No text, no labels.