Brown coal 12.8 GW dominates the left and centre-left of the scene as a massive lignite power station complex with seven hyperbolic cooling towers emitting thick white steam plumes rising into the heavy sky; natural gas 7.0 GW fills the centre-right as a cluster of compact CCGT plants with tall single exhaust stacks and smaller vapour trails; hard coal 5.1 GW appears as a dark gritty coal-fired station with conveyor belts and a pair of tall chimneys behind the gas units; biomass 4.1 GW is rendered as a medium-sized wood-chip-fed CHP plant with a domed fuel silo and modest stack, set in the right middle ground; wind onshore 1.9 GW appears as a handful of three-blade turbines on a distant ridge, rotors nearly motionless in the still air; wind offshore 0.7 GW is suggested by one or two tiny turbine silhouettes on a far grey horizon line; solar 1.2 GW is a small field of aluminium-framed crystalline silicon panels in the foreground, dark and inert, reflecting no light; hydro 1.0 GW is a small dam structure with a trickle of white water at the far right edge. Time is 06:00 dawn in late March: the sky is deep blue-grey with only the faintest pale pre-dawn glow along the eastern horizon, no direct sunlight, the landscape mostly in darkness with sodium-orange industrial lighting illuminating the power stations. Temperature is -1.3°C: frost coats every surface, bare winter branches on scattered trees, patches of frozen puddles on the ground, breath-like mist near any warm exhaust. Cloud cover is 62%, rendered as a heavy grey-blue overcast with darker patches, pressing down oppressively to reflect the high electricity price of 182 EUR/MWh. The atmosphere is dense, weighty, industrial. Style: highly detailed oil painting in the tradition of Caspar David Friedrich crossed with Adolph Menzel's industrial realism — rich dark blues, ochres, and greys, visible impasto brushwork, deep atmospheric perspective, meticulous engineering detail on every turbine nacelle, cooling tower, and exhaust stack. No text, no labels.