Solar 30.1 GW dominates the foreground and centre as vast fields of aluminium-framed crystalline silicon PV panels stretching across gently rolling farmland, their glass surfaces reflecting a pale, diffuse white light under total overcast; wind onshore 17.5 GW fills the middle distance as dozens of tall three-blade turbines on lattice and tubular towers, rotors turning at moderate speed in a 12 km/h breeze; wind offshore 6.3 GW appears on the far-right horizon as a line of offshore turbines rising from a grey North Sea glimpsed beyond low hills; brown coal 4.1 GW occupies the left background as a cluster of massive hyperbolic cooling towers emitting thick white steam plumes that merge with the overcast ceiling; biomass 4.1 GW sits just left of centre as a mid-sized industrial plant with a tall rectangular stack and wood-chip storage silos; natural gas 2.7 GW appears as a compact combined-cycle gas turbine facility with a single slim exhaust stack and modest heat shimmer; hard coal 1.4 GW is a smaller conventional power station with a single squat cooling tower beside a coal conveyor, partially obscured behind the biomass plant; hydro 1.2 GW is suggested by a small run-of-river weir and powerhouse visible along a stream in the lower-left foreground. Time is 10:00 AM in late March: full daylight but entirely diffuse, no direct sun visible, the sky a uniform sheet of smooth grey-white stratus from horizon to horizon, light is bright but shadowless. Temperature is 7°C — early spring: bare deciduous trees with the first tiny green buds, brown and pale-green grassland, patches of old snow in shaded furrows. The mood is calm and open, reflecting a low electricity price. Style: highly detailed oil painting in the tradition of 19th-century German Romantic landscape painters — Caspar David Friedrich's atmospheric depth combined with Adolph Menzel's meticulous industrial realism — rich layered colour in muted greys, sage greens, and warm browns, visible confident brushwork, luminous overcast sky rendered with subtle gradations, each energy technology painted with correct engineering detail: turbine nacelles, three-blade rotors, PV module grid lines, hyperbolic concrete cooling tower texture, steam thermodynamics. The composition reads as a grand panoramic landscape masterwork of the modern industrial-renewable terrain. No text, no labels, no human figures.