Solar 37.1 GW dominates the centre and right as vast fields of aluminium-framed crystalline silicon PV panels stretching across gently rolling farmland; wind onshore 25.8 GW fills the far background and right third as dense rows of tall three-blade turbines on lattice and tubular towers, rotors turning moderately in a breeze; wind offshore 4.8 GW appears as a distant cluster of offshore turbines on the far horizon; biomass 4.1 GW is rendered as a mid-sized wood-chip power station with a tall rectangular stack and steam wisps near the left-centre; brown coal 3.2 GW occupies the far left as two hyperbolic cooling towers with thin steam plumes rising into heavy cloud; natural gas 2.4 GW sits beside them as a compact CCGT plant with a single polished exhaust stack and modest heat shimmer; hard coal 1.2 GW is a smaller conventional boiler house with a single square chimney just visible behind the gas plant; hydro 1.2 GW appears as a small concrete run-of-river weir with a green-tinged channel in the lower left foreground. The sky is fully overcast with a thick, uniform layer of pale grey cloud, yet midday brightness illuminates the scene evenly with soft diffused light and no harsh shadows — it is clearly daytime, spring conditions. Bare-branching trees show the first pale green buds of late March; grass is fresh but short; temperature is mild. The atmosphere is calm and open, reflecting near-zero electricity prices. Painted as a highly detailed oil painting in the tradition of 19th-century German Romantic landscape masters — rich layered colour, visible impasto brushwork, atmospheric aerial perspective receding into hazy distance — but with meticulous engineering accuracy on every turbine nacelle, every PV module frame, every cooling tower's hyperbolic curve and concrete texture. No text, no labels.