Wind onshore 25.5 GW dominates the right half of the scene as dozens of three-blade turbines on tall lattice and tubular towers stretching across rolling green spring fields, rotors spinning visibly in moderate wind; solar 24.6 GW fills the centre-right foreground as vast arrays of aluminium-framed crystalline silicon PV panels on racking systems across flat farmland, reflecting soft diffuse light; wind offshore 5.8 GW appears in the far background left as a line of offshore turbines rising from a grey North Sea horizon; brown coal 3.4 GW occupies the far left as two hyperbolic cooling towers emitting thick white steam plumes beside a lignite conveyor and open-pit mine edge; natural gas 2.3 GW sits left-centre as a compact CCGT plant with a single tall exhaust stack and smaller heat-recovery units with thin vapour; biomass 4.0 GW appears as a mid-sized industrial facility with a wood-chip silo and low smokestack near the centre-left; hard coal 1.1 GW is a smaller conventional stack behind the gas plant; hydro 1.1 GW is a small run-of-river weir with a modest powerhouse visible along a river in the mid-ground. TIME AND LIGHT: mid-afternoon daylight at 15:00 in late March, but the sky is entirely overcast with a uniform blanket of pale grey stratus clouds — no blue sky, no direct sun, yet the scene is evenly and brightly lit with soft diffuse illumination and no harsh shadows. The atmosphere feels calm and open, reflecting a low electricity price. Vegetation shows early spring: fresh pale-green grass, budding deciduous trees, temperature around 15°C. Highly detailed oil painting in the tradition of 19th-century German Romantic landscape painters — rich colour palette of muted greens, silvers, and greys, visible confident brushwork, atmospheric aerial perspective with depth into a misty industrial horizon. Each energy technology rendered with meticulous engineering accuracy: turbine nacelles and three-blade rotors, PV cell grid patterns, hyperbolic cooling tower concrete ribs, CCGT exhaust geometry. The scene feels like a masterwork Romantic painting of the modern industrial-pastoral landscape. No text, no labels.