Wind onshore 39.4 GW dominates the entire right two-thirds of the scene as vast rows of three-blade turbines on lattice towers stretching across rolling North German plains into the distance, their red aviation lights blinking against a black night sky; wind offshore 5.7 GW appears as a cluster of larger turbines visible on the far horizon above a dark sea inlet, each nacelle marked by a faint white light; brown coal 3.4 GW occupies the left background as two massive hyperbolic cooling towers emitting pale steam plumes lit from below by sodium-orange industrial floodlights; hard coal 2.6 GW sits adjacent as a smaller coal-fired plant with a single rectangular stack and coal conveyor infrastructure glowing dimly; natural gas 3.0 GW appears as a compact CCGT facility in the left-centre with a single tall exhaust stack and a visible heat shimmer; biomass 4.2 GW is rendered as a mid-ground wood-chip gasification plant with a modest chimney and warm-lit storage silos; hydro 1.0 GW is a small run-of-river station barely visible along a dark river in the lower foreground. The sky is completely dark — deep navy to black, no twilight, no glow on the horizon — with scattered stars visible through 40% cloud cover, thin alto-stratus clouds drifting across. Temperature is mild at 10°C; early spring vegetation is just budding, rendered as grey-green fields. Wind is moderate — turbine blades show motion blur, grass bends gently. The atmosphere is calm and open, reflecting the near-zero electricity price. Style: highly detailed oil painting in the tradition of 19th-century German Romantic landscape painters such as Caspar David Friedrich — rich deep blues, warm sodium oranges, visible impasto brushwork, atmospheric depth and chiaroscuro — but with meticulous engineering accuracy on every turbine nacelle, cooling tower curvature, and industrial detail. No text, no labels.