Wind onshore 41.7 GW dominates the scene as vast ranks of three-blade turbines with lattice towers and detailed nacelles stretching across roughly two-thirds of the composition, from centre to far right, their rotors spinning vigorously in strong wind; wind offshore 6.0 GW appears as a cluster of larger turbines on the distant right horizon standing in a faintly visible sea; brown coal 3.3 GW occupies the left foreground as a pair of massive hyperbolic cooling towers emitting thin wisps of pale steam, lit from below by orange sodium lamps; natural gas 2.5 GW sits just right of the cooling towers as a compact CCGT plant with a single tall exhaust stack and a faint heat shimmer; hard coal 2.1 GW appears as a smaller coal-fired station with a rectangular boiler house and chimney beside the brown coal plant; biomass 4.1 GW is rendered as a mid-ground cluster of industrial biomass facilities with cylindrical wood-chip silos and short stacks emitting light vapour; hydro 1.0 GW is a small concrete run-of-river weir with turbine housing visible at the base of a gentle valley on the far left. Time is 05:00 pre-dawn in late March: the sky is deep blue-grey with the faintest cold pale band on the eastern horizon, no direct sunlight, no solar panels anywhere. The landscape is early-spring Germany — bare deciduous trees just beginning to bud, muted brown-green fields, patches of low mist in the valleys. Overcast cloud layer at 100% blankets the sky. The mood is calm and expansive despite the wind, reflecting the near-zero electricity price. All industrial facilities glow with warm sodium and LED lighting against the dark sky. Highly detailed oil painting in the tradition of 19th-century German Romantic landscape art — rich, luminous colour, visible confident brushwork, deep atmospheric perspective — yet every turbine nacelle, every cooling tower rib, every CCGT exhaust detail is rendered with meticulous engineering accuracy. No text, no labels.