Wind onshore 32.7 GW dominates the entire right two-thirds of the scene as vast ranks of three-blade wind turbines stretching across rolling early-spring German hills, their rotors spinning visibly in strong wind; wind offshore 6.8 GW appears in the far right background as a line of taller turbines on a grey North Sea horizon. Solar 16.6 GW occupies a broad mid-ground plateau as fields of aluminium-framed crystalline silicon PV panels reflecting diffuse grey-white light under heavy overcast. Brown coal 4.0 GW sits at the far left as two hyperbolic cooling towers emitting thin steam plumes. Biomass 4.0 GW is rendered adjacent as a mid-sized timber-clad biomass plant with a low smokestack and wood-chip storage silos, equal visual weight to the brown coal. Natural gas 2.7 GW appears as a compact CCGT facility with a single tall exhaust stack and modest heat shimmer, set between the coal and biomass. Hard coal 2.5 GW is a smaller gantry-crane coal plant with a single square stack and small coal yard. Hydro 1.1 GW is suggested by a small concrete run-of-river weir in a stream in the lower foreground. The sky is 91% overcast — a high flat grey cloud layer — but with a bright diffuse patch where the sun pushes through at early afternoon zenith, casting flat shadowless midday light across the landscape. Temperature is 6°C: early spring, dormant brown-green grass, bare trees just beginning to bud, patches of old snow in shaded hollows. Strong wind bends the grass and bare branches. The atmosphere feels calm and open, reflecting a near-zero electricity price — no oppressive weight, just quiet industrial equilibrium. Highly detailed oil painting in the tradition of 19th-century German Romantic landscape art — Caspar David Friedrich meets industrial realism — rich earth tones, visible confident brushwork, atmospheric depth and haze, meticulous engineering detail on every turbine nacelle, every PV cell edge, every cooling tower's parabolic concrete ribs. No text, no labels.