Wind onshore 22.0 GW dominates the right half and background as vast ranks of three-blade turbines on rolling hills, their rotors turning briskly in moderate wind; wind offshore 6.9 GW appears as a distant cluster of tall offshore turbines on a grey-green sea visible through a gap in the terrain at far right. Brown coal 6.3 GW occupies the left foreground as a massive lignite power station with three hyperbolic cooling towers emitting thick white-grey steam plumes that merge into the overcast. Natural gas 8.7 GW fills the centre-left as a modern CCGT plant complex with tall slender exhaust stacks topped by heat-shimmer and pale flue gases. Hard coal 4.8 GW appears as a smaller coal-fired station with a single large stack and conveyor belts of dark coal beside it, positioned between the gas plant and the cooling towers. Biomass 4.5 GW is rendered as a mid-ground wood-chip-fed facility with a modest stack and stockpiled timber. Hydro 1.4 GW is a small dam and powerhouse nestled in a valley at centre-right. Solar 0.4 GW is negligible — no panels are visible. Time is 18:00 late March dusk: the sky is a heavy, oppressive blanket of 100% cloud cover, with only a thin band of fading orange-red light on the far western horizon rapidly surrendering to blue-grey darkness above. The atmosphere is cold — 4.6°C — bare deciduous trees with no leaves, brown-grey dormant grass, patches of old snow. Electrical transmission towers and high-voltage lines thread across the entire composition, connecting all facilities. The heavy overcast and high electricity price give the scene a brooding, pressurised atmosphere. Style: highly detailed oil painting in the tradition of 19th-century German Romantic landscape painters — rich, dark palette of slate, umber, ochre, and muted orange — visible impasto brushwork, atmospheric depth and aerial perspective, meticulous engineering detail on every turbine nacelle, cooling tower, and stack. No text, no labels.