Wind onshore 18.3 GW dominates the right two-thirds of the scene as dozens of towering three-blade turbines with white tubular towers and nacelles stretching across rolling dark hills, rotors turning moderately; wind offshore 5.7 GW appears as a distant cluster of taller turbines on the far-right horizon above a barely visible dark sea; brown coal 5.6 GW occupies the left foreground as a massive lignite power station with three hyperbolic cooling towers emitting heavy white-grey steam plumes lit from below by sodium lights; biomass 4.3 GW is rendered as a mid-ground industrial facility with a rectangular stack and wood-chip storage bunkers, warm amber light spilling from its windows; hard coal 2.7 GW sits beside the lignite plant as a smaller coal station with a single tall rectangular chimney and visible conveyor belt; natural gas 1.6 GW appears as a compact CCGT unit with a slender exhaust stack and modest heat shimmer, positioned between the coal plants and the wind turbines; hydro 1.0 GW is a small dam structure in a valley at the far left with a faint cascade of water. TIME AND ATMOSPHERE: full night at 21:00, completely black sky with no twilight glow whatsoever, heavy overcast at 97% cloud cover obscuring all stars, deep navy-to-black canopy overhead. Temperature near freezing at 1.8°C — thin frost on bare early-spring fields, leafless trees with icy branches, patches of old grey snow on the ground. The high price of 130.5 EUR/MWh is conveyed through a heavy, oppressive atmosphere — low dense clouds pressing down, a brooding claustrophobic weight to the sky. All illumination is artificial: sodium-orange streetlights along a road, warm yellow windows in distant village houses, industrial floodlights casting harsh cones on the power stations, red aviation warning lights blinking atop every turbine and smokestack. Steam from cooling towers glows lurid orange-white under the floodlights. Style: highly detailed oil painting in the tradition of 19th-century German Romantic landscape painters — rich impasto brushwork, dramatic chiaroscuro between artificial light and deep darkness, atmospheric depth with layers of mist and steam, meticulous engineering accuracy on turbine nacelles, lattice transmission towers, cooling tower parabolic profiles, and CCGT exhaust geometry. The mood is somber grandeur — industrial sublime. No text, no labels.