Wind onshore 30.5 GW dominates the right two-thirds of the scene as vast ranks of three-blade turbines on lattice towers stretching across rolling hills into the far distance, rotors spinning visibly in strong wind; brown coal 6.2 GW occupies the left background as a cluster of massive hyperbolic cooling towers emitting thick white steam plumes lit from below by orange sodium lamps; wind offshore 5.5 GW appears as distant turbines on the far-right horizon above a dark sea; natural gas 4.8 GW is rendered as a compact CCGT plant with tall exhaust stacks and a single slim vapor trail, positioned left of centre; hard coal 4.1 GW sits adjacent to the brown coal station as a smaller facility with rectangular boiler houses and conveyor belts; biomass 4.6 GW appears as a mid-ground industrial plant with a modest chimney and stacked timber piles; hydro 1.2 GW is a small dam structure visible in a valley at lower left. The time is 22:00 — full night with a completely black sky, no twilight, no sky glow, heavy 80% cloud cover obscuring all stars. The only illumination comes from sodium-orange streetlights along a road in the foreground, warm yellow-white lights on the industrial facilities, and the faint reddish glow from coal plant interiors. Temperature is 5°C in late March — bare deciduous trees with no leaves, patches of damp brown grass, a sense of lingering winter chill. Wind at 19 km/h bends the bare branches and creates visible motion in the turbine blades. The atmosphere is moderately heavy and oppressive reflecting a 66.8 EUR/MWh price — low haze clings to the ground, and the steam plumes from the cooling towers spread and flatten under the cloud ceiling. Painted in the style of a highly detailed 19th-century German Romantic oil painting — rich, dark palette of deep navy, umber, ochre, and burnt orange, visible impasto brushwork, atmospheric depth with layers of industrial haze, meticulous engineering detail on every turbine nacelle, cooling tower, and exhaust stack, evoking Caspar David Friedrich's sense of sublime scale but applied to an industrial nocturnal landscape. No text, no labels.