Wind onshore 35.8 GW dominates the scene as vast ranks of three-blade turbines on lattice towers stretching across the right two-thirds of the canvas, their rotors visibly blurred with rapid motion in strong wind; wind offshore 6.0 GW appears as a distant line of taller turbines on the far-right horizon over a dark sea sliver; brown coal 3.8 GW occupies the far left as a cluster of hyperbolic cooling towers emitting thick white steam plumes lit from below by orange sodium lights; hard coal 3.8 GW sits adjacent as a smaller industrial complex with rectangular stacks and conveyor structures; natural gas 3.5 GW appears as a compact CCGT facility with a single tall exhaust stack and modest heat shimmer, positioned between the coal plants and the wind farm; biomass 4.4 GW is rendered as a mid-sized plant with a domed wood-chip storage hall and a single smokestack with faint exhaust, set among bare late-March trees; hydro 1.2 GW appears as a small concrete dam with spillway in a valley notch at the far left edge. The time is midnight — the sky is completely black with dense 100% cloud cover, no stars, no moon, no twilight glow whatsoever. The only light sources are sodium-orange and cool-white industrial lamps illuminating the power plants, with faint red aviation warning lights blinking atop every wind turbine nacelle receding into darkness. The landscape is flat northern German terrain with patches of dormant brown grass and bare deciduous trees suggesting early spring at 4.5 °C. Wind is evident in bent grasses and leaning branches. The atmosphere is calm and open despite the overcast, reflecting the very low electricity price. Rendered as a highly detailed oil painting in the tradition of 19th-century German Romantic landscape art — rich deep blues, blacks, and warm industrial oranges, visible confident brushwork, atmospheric depth and chiaroscuro, meticulous engineering detail on every turbine nacelle, cooling tower, and exhaust stack. No text, no labels.