Wind onshore 36.5 GW dominates the scene, filling roughly two-thirds of the composition as vast ranks of three-blade turbines on lattice towers stretching across rolling central-German hills into deep darkness, rotors spinning visibly in strong wind. Wind offshore 6.5 GW appears in the far background as a cluster of taller turbines on monopile foundations silhouetted against a strip of black sea barely distinguishable from the sky. Hard coal 4.1 GW occupies the lower-left middle ground as a blocky power station with tall chimneys emitting thin grey plumes lit from below by sodium lights. Brown coal 3.6 GW sits adjacent as a pair of hyperbolic concrete cooling towers with faint wisps of steam glowing amber under floodlights. Biomass 4.1 GW appears as a compact industrial facility with a rectangular stack and wood-chip storage dome, warmly lit from within. Natural gas 2.5 GW is rendered as a small CCGT plant with a single polished exhaust stack and visible heat shimmer. Hydro 1.1 GW is a modest run-of-river weir in the foreground with dark water rushing over it, catching reflections of facility lights. Time is 3 AM: the sky is completely black, no twilight, no moon visible through 100% overcast cloud cover — a low, heavy blanket of cloud faintly reflecting the orange sodium glow of distant towns. Temperature is 4°C: bare early-spring trees with no leaves, patches of frost on grass, breath-mist visible around a single maintenance worker near the coal plant. Wind at 34 km/h drives visible motion — turbine blades, flapping flags on buildings, rippled puddles. The mood is calm and vast despite the wind, reflecting the very low electricity price. Style: highly detailed oil painting in the tradition of Caspar David Friedrich and Carl Blechen — rich impasto brushwork, deep Prussian-blue and umber palette, atmospheric sfumato in the distance, meticulous engineering detail on every turbine nacelle, cooling tower, and smokestack. No text, no labels.