Wind onshore 33.3 GW dominates the scene as vast ranks of three-blade turbines with white tubular towers and detailed nacelles stretching across rolling central-German farmland, occupying nearly 60% of the composition from centre to right; wind offshore 6.8 GW appears as a distant line of larger turbines on the far-right horizon above a faintly suggested grey sea; brown coal 4.0 GW occupies the left foreground as two massive hyperbolic concrete cooling towers with thick white steam plumes drifting in the stiff wind, beside a lignite conveyor and open-pit edge; hard coal 3.9 GW sits adjacent as a darker brick power station with a tall rectangular stack emitting a thinner grey plume; natural gas 3.8 GW appears as a compact CCGT facility with a sleek single exhaust stack and visible gas turbine housing, positioned between the coal plants and the turbine field; biomass 4.3 GW is rendered as a cluster of modest wood-clad biomass CHP plants with short chimneys and steam wisps near a timber yard, placed in the mid-left; hydro 0.9 GW appears as a small weir and run-of-river powerhouse along a stream in the left foreground; solar 0.6 GW is barely suggested as a few aluminium-framed PV panels on a barn roof, dark and unlit, receiving no sun. The sky is entirely overcast with thick, low, oppressive stratiform clouds in shades of slate grey and pewter, pressing down heavily — no blue, no sun, no breaks. The lighting is pre-dawn to earliest dawn: a faint cold blue-grey luminance on the eastern horizon, the rest of the sky deep charcoal, all artificial lights still on — sodium-orange glows from the power stations, white LED dots on turbine nacelles. Temperature near freezing: dormant brown fields, patches of frost on stubble, bare deciduous trees with no leaves, a thin mist hugging the ground. Wind animates the scene — grass bent flat, steam plumes sheared sideways, turbine blades captured mid-rotation with slight motion blur. Style: highly detailed oil painting in the tradition of Caspar David Friedrich and Carl Blechen — rich impasto brushwork, atmospheric depth, Romantic grandeur applied to an industrial landscape, dramatic chiaroscuro between glowing facilities and the dark overcast sky. Meticulous engineering accuracy on all structures. No text, no labels.