Wind onshore 19.2 GW dominates the right half and background as dozens of tall three-blade turbines on lattice and tubular towers stretching across rolling farmland, rotors spinning briskly in 18 km/h wind; wind offshore 6.2 GW appears as a distant cluster of larger turbines on the far-right horizon above a dark North Sea glimpse. Brown coal 9.1 GW occupies the left foreground as a massive lignite power station complex with three hyperbolic cooling towers emitting thick white steam plumes rising into the heavy overcast, lit from below by orange sodium lamps; hard coal 5.9 GW sits just right of centre as a pair of rectangular boiler houses with tall chimneys and conveyor gantries, red aviation warning lights blinking. Natural gas 5.7 GW appears as two compact CCGT blocks with single slim exhaust stacks and visible heat shimmer, positioned between the coal plants. Biomass 4.0 GW is rendered as a modest industrial facility with a rounded silo and wood-chip storage yard, warmly lit by facility floodlights. Hydro 1.1 GW is a small run-of-river weir with a low concrete dam visible in a stream in the lower-left corner, with a single small turbine house. No solar panels anywhere — it is deep night. TIME: 04:00, completely dark sky, no twilight, no sky glow, black to deep navy overhead, dense 83% cloud cover making the sky a heavy featureless dark canopy. All illumination is artificial: sodium-orange streetlights along an access road, white floodlights on industrial structures, the ruddy glow of furnace interiors visible through boiler-house windows. The temperature is 3°C in late March: bare deciduous trees with only the faintest swelling buds, frost-touched brown grass, patches of lingering mist in low terrain. The atmosphere feels heavy and oppressive reflecting the high 101.7 EUR/MWh price — thick low clouds pressing down, steam from cooling towers merging with overcast, a brooding industrial weight. Style: highly detailed oil painting in the tradition of 19th-century German Romantic landscape painters such as Caspar David Friedrich and Carl Blechen — rich deep colour palette of navy, charcoal, amber, and ivory; visible confident brushwork; atmospheric depth with layers of mist and steam; meticulous engineering detail on every turbine nacelle, cooling tower, and smokestack; dramatic chiaroscuro from artificial light against the vast dark sky. No text, no labels.