Wind onshore 17.2 GW dominates the right half of the scene as dozens of tall three-blade turbines with white tubular towers and aerodynamic nacelles arrayed across rolling brown-green late-winter hills, blades rotating in moderate wind. Wind offshore 6.0 GW appears in the far-right background as a row of turbines standing in a grey North Sea visible on the distant horizon. Brown coal 10.1 GW occupies the left foreground as a massive lignite power station complex with four hyperbolic cooling towers pouring thick white steam plumes into the overcast sky, alongside conveyor belts feeding raw brown coal. Hard coal 6.5 GW sits left of centre as a slightly smaller coal plant with a tall brick chimney stack and coal stockpiles. Natural gas 7.6 GW fills the centre-left as two modern CCGT blocks with slim cylindrical exhaust stacks emitting thin transparent heat shimmer. Solar 5.6 GW appears in the centre-right as a modest field of aluminium-framed crystalline silicon panels on flat ground, their surfaces reflecting only the dull grey sky, producing weakly under heavy clouds. Biomass 4.4 GW is rendered as a wood-chip-fed CHP plant with a modest green-trimmed industrial building and a single smokestack near the centre. Hydro 1.1 GW is a small run-of-river weir with a low concrete dam and churning white water at the bottom-right edge. The sky is 90% overcast at 08:00 Berlin time: full daytime but heavily grey, diffuse pale light filtering through a thick blanket of stratus clouds, no direct sunlight, creating a flat oppressive atmosphere consistent with 163.8 EUR/MWh pricing. Temperature is 3.6°C: bare deciduous trees, frost-tinged grass, patches of old snow in shaded hollows, late-winter landscape with no green buds yet. Wind at 15.9 km/h animates flags on buildings, turbine blades spin at moderate speed, and steam plumes from cooling towers drift and bend to the right. Style: highly detailed oil painting in the tradition of 19th-century German Romantic landscape painters such as Caspar David Friedrich and Carl Blechen, with rich earthy and grey tones, visible expressive brushwork, deep atmospheric perspective, meticulous engineering accuracy on every technology, dramatic industrial sublime mood. No text, no labels.