Solar 26.6 GW dominates the centre-right as vast fields of aluminium-framed crystalline silicon PV panels stretching across flat agricultural land, angled toward a hazy, diffuse light; wind onshore 20.7 GW fills the right third and recedes into the distance as dozens of three-blade turbines on tall lattice and tubular towers, rotors spinning visibly in the stiff breeze; wind offshore 4.2 GW appears as a cluster of larger turbines on the far-right horizon above a grey sea glimpsed through low terrain; brown coal 9.0 GW occupies the left foreground as a massive lignite power station with three hyperbolic cooling towers emitting thick white steam plumes drifting rightward in the wind; hard coal 5.9 GW sits just left of centre as a pair of tall chimneys and a coal conveyor belt feeding a darkened boiler house; natural gas 6.4 GW appears centre-left as two compact CCGT units with sleek single exhaust stacks venting thin, hot exhaust; biomass 4.2 GW is rendered as a mid-ground wood-chip-fed CHP plant with a modest cylindrical silo and low steam vent; hydro 1.2 GW is a small run-of-river weir with foaming spillway visible in a river winding through the middle ground. Time is noon in late March: full but muted daylight under a 98% overcast sky — a flat, grey-white cloud ceiling presses down, yet a surprising amount of diffuse brightness illuminates the landscape, casting soft, nearly shadowless light. The atmosphere feels heavy and slightly oppressive, hinting at the elevated electricity price. Early spring vegetation: bare deciduous trees with the faintest green buds, dull brown-green fields, patches of wet earth. Temperature is cool at 7°C — a light mist clings to low ground near the river. Style: highly detailed oil painting in the tradition of 19th-century German Romantic landscape painters such as Caspar David Friedrich and Carl Blechen — rich tonal depth, visible impasto brushwork, atmospheric perspective with industrial smoke and steam layering into the overcast, meticulous engineering detail on every turbine nacelle, every cooling tower's parabolic curve, every PV panel's cell grid pattern. The composition balances Romantic sublimity with industrial realism, a vast panoramic canvas. No text, no labels.