Brown coal 8.8 GW occupies the left third of the scene as a cluster of massive hyperbolic cooling towers with thick white-grey steam plumes rising into darkness; natural gas 10.1 GW fills the centre-left as a row of compact CCGT power plants with tall single exhaust stacks emitting faint heat shimmer, their facades lit by sodium-orange industrial lamps; hard coal 6.1 GW appears centre-right as a large conventional power station with rectangular boiler houses, conveyor belts, and a tall chimney stack glowing at the tip; onshore wind 4.1 GW is rendered in the right portion as a line of three-blade turbines on lattice towers along a low ridge, blades turning almost imperceptibly in light wind; biomass 4.0 GW appears as a modest wood-chip-fired plant with a squat smokestack and illuminated fuel storage domes nestled among the turbines; hydro 1.2 GW is suggested by a small dam structure with spillway visible in the far right background. The time is 3:00 AM—the sky is completely black with no twilight, no moon visible, dense 94% cloud cover erasing all stars, creating a heavy oppressive overcast darkness. The only light comes from sodium streetlights casting orange pools along access roads, the amber and white industrial lighting of the power stations, and faint red aviation warning lights atop cooling towers and turbine nacelles. The temperature is 4°C in early April: bare deciduous trees with only the first swelling buds, patches of frost on fields, dormant brown-green grass. The atmosphere feels heavy, pressurized, industrial—reflecting the high 129 EUR/MWh price. Style: highly detailed oil painting in the tradition of 19th-century German Romantic landscape painters such as Caspar David Friedrich and Carl Blechen, but depicting an industrial nocturne—rich dark palette of deep navy, umber, burnt sienna, and amber, with visible impasto brushwork conveying steam and smoke, atmospheric depth achieved through layered haze, meticulous engineering detail on every turbine nacelle, cooling tower curvature, and CCGT exhaust stack. No text, no labels.