Brown coal 10.6 GW dominates the left third of the scene as a massive lignite power station complex with four hyperbolic cooling towers emitting thick white steam plumes into the black night sky; natural gas 9.3 GW fills the centre-left as three compact CCGT units with tall single exhaust stacks and orange-lit gas flares; hard coal 6.1 GW appears centre-right as a smaller coal plant with a pair of rectangular boiler houses and a single large smokestack trailing grey-white exhaust; wind onshore 4.8 GW occupies the right background as a cluster of modern three-blade turbines on lattice towers turning very slowly in negligible wind, their red aviation lights blinking; wind offshore 2.4 GW is suggested by distant turbines barely visible on a far dark horizon line; biomass 4.0 GW appears as a mid-ground industrial biogas facility with cylindrical digesters and a modest exhaust, warmly lit by sodium lamps; hydro 1.1 GW is a small concrete run-of-river weir in the lower-right foreground with dark water spilling over it, illuminated by a single floodlight. The sky is completely black with no twilight, no sky glow — a deep-navy-to-black dome with faint cold stars, temperature near freezing suggested by frost on bare early-spring branches and frozen puddles reflecting facility lights. The atmosphere is heavy and oppressive, with low-hanging industrial haze pressing down, evoking the high electricity price. Sodium-orange streetlights line a road threading between the plants. No solar panels anywhere. Highly detailed oil painting in the tradition of 19th-century German Romantic landscape painters — rich, dark colour palette of deep indigos, umbers, and warm industrial oranges, visible impasto brushwork, atmospheric depth with steam merging into darkness, meticulous engineering detail on every turbine nacelle, cooling tower profile, and exhaust stack. The scene feels monumental and brooding, a masterwork industrial nocturne. No text, no labels.