Brown coal 10.3 GW dominates the left third of the scene as a massive lignite power station with four hyperbolic cooling towers emitting thick pale steam plumes lit from below by sodium-orange industrial floodlights; hard coal 6.2 GW appears just right of centre as two blocky coal-fired plants with tall rectangular chimneys and conveyor gantries; natural gas 8.9 GW fills the centre-right as three compact CCGT units with slender single exhaust stacks venting thin white plumes; wind onshore 5.1 GW appears as a scattered row of three-blade turbines on a distant ridge to the far right, their red aviation lights blinking faintly; wind offshore 2.6 GW is suggested by a thin line of tiny turbine lights on the far horizon; biomass 4.0 GW is rendered as a modest biomass plant with a domed fuel storage silo and a single stack near the coal station; hydro 1.1 GW appears as a small dam structure with illuminated spillway at the far left edge. The scene is set at 03:00 on a freezing April night — the sky is completely black, no twilight, no moon, only a carpet of sharp cold stars on a clear sky with zero cloud cover. The ground is dusted with light frost on dormant early-spring grass and bare-branched trees just beginning to bud. The air is bitterly cold at 0 °C, visible as crystalline frost halos around every lamp. The atmosphere is heavy and oppressive despite the clear sky, conveying the tension of a high electricity price — a faint industrial haze clings low to the ground, tinged orange by sodium lighting. Transmission pylons recede into the darkness carrying thick cable bundles toward the horizon, hinting at the massive import flows. Painted in the style of a highly detailed 19th-century German Romantic oil painting — rich deep blues, blacks, and warm sodium oranges, visible impasto brushwork, atmospheric chiaroscuro depth — yet every cooling tower, turbine nacelle, lattice mast, and exhaust stack is rendered with meticulous engineering accuracy. No text, no labels.