Natural gas 9.5 GW dominates the centre-right as a cluster of tall CCGT exhaust stacks with pale plumes rising into darkness; brown coal 8.1 GW fills the left quarter as massive hyperbolic cooling towers emitting thick white steam lit from below by sodium-orange industrial lights; hard coal 5.7 GW appears as a large conventional power station with a single tall chimney and conveyor structures in the centre-left; wind onshore 8.6 GW spans the far right and receding background as dozens of three-blade turbines on lattice and tubular towers, red aviation warning lights blinking on each nacelle; wind offshore 2.1 GW is suggested by a distant row of turbines on the far-right horizon above a dark waterline; biomass 4.3 GW is rendered as a modest industrial facility with a wood-chip storage dome and short exhaust stack near the centre; hydro 1.1 GW appears as a small dam structure with spillway in the lower right foreground. The sky is completely black to deep navy — it is midnight, no twilight, no sky glow, 100% overcast so no stars or moon visible. The only illumination comes from sodium streetlights casting orange pools, glowing industrial windows, and the red and white warning lights of the turbines. A heavy, oppressive low cloud ceiling presses down, faintly reflecting the orange industrial glow. Early spring vegetation: bare deciduous trees with just the first hint of buds, brown-green dormant grass, patches of mud. Temperature 6°C gives a damp, raw atmosphere with visible breath-like mist around ground level. Highly detailed oil painting in the tradition of 19th-century German Romantic landscape painters — rich deep colour, visible confident brushwork, dramatic atmospheric depth — but with meticulous engineering accuracy on every turbine nacelle, cooling tower profile, CCGT stack, and coal conveyor. The scene evokes Caspar David Friedrich's darkness meeting industrial sublime. No text, no labels.