Natural gas 8.1 GW dominates the centre-left as a cluster of compact CCGT power plants with tall single exhaust stacks emitting pale combustion plumes, lit by harsh sodium-orange floodlights. Brown coal 7.4 GW occupies the left background as three massive hyperbolic cooling towers releasing thick white steam columns into the black sky, beside a sprawling lignite mine conveyor dimly illuminated. Hard coal 5.3 GW appears as a mid-ground coal-fired station with a single large smokestack and coal bunkers under yellow industrial lighting. Wind onshore 8.6 GW spans the right third of the scene as dozens of three-blade turbines on lattice and tubular towers, their red aviation warning lights blinking in the darkness, rotors visibly turning in moderate wind. Wind offshore 1.9 GW is suggested in the far right distance as a faint line of turbine warning lights over a dark horizon. Biomass 4.3 GW is rendered as a medium-sized industrial facility with a wood-chip storage dome and a modest smokestack, warmly lit from within, positioned in the centre-right mid-ground. Hydro 1.3 GW appears as a small dam structure with water cascading, subtly lit by a single floodlight in the far right foreground. The sky is completely black with heavy 100% overcast — no stars, no moon, no twilight glow whatsoever, only a deep oppressive dark-navy canopy pressing down. The atmosphere feels heavy and weighty, reflecting the high electricity price. Early spring landscape with bare deciduous trees just beginning to bud, dormant brown grass, temperature near 7°C suggesting a damp chill with possible mist curling low along the ground. Wind animates the scene — flags on industrial buildings are taut, steam plumes shear sideways. Absolutely no solar panels visible, no sunshine. Rendered as a highly detailed oil painting in the tradition of 19th-century German Romantic landscape painters — rich impasto brushwork, dramatic chiaroscuro between the deep night sky and the sodium-lit industrial glow, atmospheric depth with haze and mist, meticulous engineering detail on every turbine nacelle, cooling tower, and exhaust stack. The painting evokes both awe and melancholy at the scale of the industrial energy landscape working through the dark hours. No text, no labels.