Solar 28.0 GW dominates the centre and right of the composition as vast fields of aluminium-framed crystalline silicon PV panels stretching across flat agricultural land toward the horizon, their blue-grey surfaces reflecting a uniformly overcast sky; wind onshore 8.4 GW appears as clusters of tall three-blade turbines with white tubular towers and nacelles turning slowly in moderate wind across rolling hills in the mid-ground right; wind offshore 5.7 GW is suggested by a distant line of larger turbines visible through haze on a far horizon at left; natural gas 7.2 GW occupies the left-centre as a compact modern CCGT power station with paired exhaust stacks emitting thin heat shimmer; brown coal 5.4 GW stands at the far left as two massive hyperbolic cooling towers releasing thick white steam plumes that merge into the cloud ceiling; hard coal 5.2 GW sits beside them as a darker industrial block with a tall chimney stack and coal conveyor gantries; biomass 4.7 GW appears as a modest wood-chip-fed plant with a green-tinged silo and single low stack nestled among bare early-spring trees; hydro 1.3 GW is a small concrete dam and spillway visible in a valley in the distant background. The sky is a flat, heavy blanket of 99% stratus cloud in tones of grey and silver-white, fully diffuse midday daylight with no shadows and no direct sun — an April morning at 11:00 under complete overcast. The landscape shows early spring: bare deciduous trees with the faintest green buds, brown-green grass, patches of ploughed earth. Temperature is cool at 7.5 °C — figures wear light jackets. The atmosphere is mildly oppressive and dense, reflecting a moderate electricity price. Style: highly detailed oil painting in the tradition of 19th-century German Romantic landscape painters such as Caspar David Friedrich and Carl Blechen — rich layered colour, visible impasto brushwork, atmospheric aerial perspective with misty depth — yet with meticulous engineering accuracy in every turbine nacelle, every panel frame, every cooling tower's parabolic profile. No text, no labels, no human figures in foreground.