Solar 27.9 GW dominates the centre and right of the composition as vast fields of aluminium-framed crystalline silicon PV panels stretching across gently rolling spring farmland, their blue-grey surfaces reflecting a bright but diffuse overcast sky; wind onshore 15.1 GW appears as dozens of tall three-blade turbines with white tubular towers receding into the atmospheric haze across the middle distance; wind offshore 6.6 GW is suggested by a row of turbines visible on a far coastal horizon at the painting's right edge; biomass 4.2 GW is rendered as a mid-sized wood-chip power station with a modest smokestack and stored timber piles on the left-centre; brown coal 2.5 GW occupies the far left as a pair of hyperbolic cooling towers with thin wisps of steam rising into the grey sky; natural gas 2.1 GW sits just inward as a compact CCGT plant with a single tall exhaust stack and minimal visible emissions; hydro 1.4 GW appears as a small concrete run-of-river weir along a stream in the foreground; hard coal 0.7 GW is a single distant industrial chimney barely visible at the far left edge. The sky is uniformly overcast at 93% cloud cover, bright white-grey with diffuse afternoon daylight at 15:00 — no direct sun visible but ample luminosity. Spring vegetation: early green grass, budding deciduous trees, patches of rapeseed beginning to yellow. Temperature around 11°C gives a cool crispness to the air. A moderate breeze animates the turbine blades mid-rotation and ripples puddles in a muddy farm track in the foreground. The low 3.0 EUR/MWh price is conveyed through a calm, open, spacious atmosphere with wide horizons. Style: highly detailed oil painting in the tradition of 19th-century German Romantic landscape painters — Caspar David Friedrich meets industrial modernity — rich layered colour, visible impasto brushwork, deep atmospheric perspective, meticulous engineering accuracy on every turbine nacelle, panel frame, and cooling tower, dramatic yet serene. No text, no labels.