Wind onshore 21.1 GW dominates the right two-thirds of the scene as vast ranks of three-blade turbines on lattice towers stretching across rolling green spring fields, their rotors spinning briskly in strong wind. Wind offshore 6.1 GW appears as a distant cluster of larger turbines on the far-right horizon above a grey sea inlet. Biomass 4.6 GW occupies the centre-left as a wood-chip-fed industrial plant with squat chimneys emitting pale steam. Natural gas 3.1 GW sits left of centre as a compact CCGT facility with twin exhaust stacks releasing thin plumes. Brown coal 2.5 GW fills the far left as two hyperbolic cooling towers with heavy white steam billowing upward. Hard coal 0.9 GW appears as a smaller conventional power station with a single stack beside the brown coal plant. Hydro 1.0 GW is a small concrete dam with spillway visible in a valley in the middle distance. Solar 0.9 GW is represented by a modest array of aluminium-framed crystalline silicon panels in the foreground, their surfaces dark and unreflective under the overcast sky. The lighting is late dusk at 19:00 in early April: a narrow band of deep orange-red glow clings to the lower western horizon, the sky above transitioning rapidly from dark slate-grey to near-black overhead, heavy 89% cloud cover pressing low and oppressive, conveying the high electricity price. Spring vegetation — fresh pale-green grass, early budding trees — at 12°C. Transmission lines with high-voltage pylons cross the mid-ground, symbolizing heavy power flows. Style: highly detailed oil painting in the tradition of 19th-century German Romantic landscape masters — Caspar David Friedrich's atmospheric depth crossed with Adolph Menzel's industrial precision — rich dark colour palette, visible impasto brushwork, dramatic chiaroscuro between the glowing horizon and the brooding overcast, meticulous engineering detail on every turbine nacelle, cooling tower, and exhaust stack. No text, no labels.