Wind onshore 36.6 GW dominates the scene, filling roughly two-thirds of a vast nocturnal landscape with endless rows of three-blade turbines on lattice and tubular towers, their red aviation warning lights blinking against a pitch-black, completely overcast sky with no moonlight or twilight — deep navy-black clouds barely distinguishable from the sky. Wind offshore 6.3 GW appears in the far background as a line of larger turbines rising from a dark, churning North Sea horizon, their navigation lights reflecting off black water. Biomass 4.2 GW occupies the mid-left as a modest industrial plant with a wood-chip storage dome and a single warm-lit smokestack emitting pale vapor. Natural gas 2.5 GW appears as a compact CCGT facility in the centre-left with a single tall exhaust stack and a faint blue-orange glow from its turbine hall windows. Brown coal 2.0 GW is rendered as a pair of hyperbolic cooling towers at the far left, steam plumes catching the amber glow of sodium floodlights, next to a conveyor belt structure. Hard coal 1.7 GW sits adjacent, a smaller power block with a single rectangular stack emitting thin grey smoke. Hydro 1.0 GW is suggested by a small dam spillway in a valley fold at the bottom right, lit by a single floodlight. The wind is visibly fierce — grasses bent flat, tree branches thrashing, turbine blades captured in dynamic rotation. The temperature of 10.6°C gives early spring character: bare deciduous trees interspersed with fresh green undergrowth. The overall atmosphere is calm and spacious despite the gale, reflecting the 2.0 EUR/MWh price — an open, unburdened sky without oppressive weight. Rendered as a highly detailed oil painting in the tradition of 19th-century German Romantic landscape painting — rich, dark palette of Prussian blues, lamp-blacks, and warm amber industrial glows, visible impasto brushwork, deep atmospheric perspective, meticulous engineering accuracy on every turbine nacelle, cooling tower curve, and exhaust stack. No text, no labels.