Wind onshore 24.2 GW dominates the right two-thirds of the scene as vast ranks of three-blade turbines on lattice towers stretching across rolling spring farmland with blades visibly turning in moderate wind; wind offshore 4.8 GW appears as a distant cluster of larger turbines on the hazy horizon above a grey North Sea sliver; solar 23.4 GW fills the middle foreground as enormous fields of aluminium-framed crystalline silicon PV panels angled toward an overcast sky, their surfaces reflecting silvery diffuse light; biomass 4.3 GW is rendered as a medium-scale wood-chip plant with a ribbed cylindrical silo and thin exhaust stack at centre-left; natural gas 2.8 GW appears as a compact CCGT facility with a single tall exhaust stack and modest heat shimmer, tucked behind the biomass plant; brown coal 2.5 GW occupies the far left as a pair of hyperbolic cooling towers with only thin, wispy steam plumes suggesting low output; hard coal 1.2 GW is a single smaller stack beside them, barely smoking; hydro 1.0 GW is suggested by a small weir and run-of-river turbine house along a stream in the lower-left corner. The sky is uniformly overcast at 99% cloud cover — a flat, pale grey-white April ceiling with no sun disc visible, yet full diffuse midday brightness illuminates the landscape evenly at 11:00 Berlin time. The temperature of 12.4 °C shapes the vegetation: fresh bright-green spring grass and early leaf buds on scattered birch and beech trees. The atmosphere is calm and expansive, reflecting the near-zero electricity price — no oppression, no drama, just an immense quiet abundance. Style: highly detailed oil painting in the tradition of 19th-century German Romantic landscape painters — rich layered colour, visible impasto brushwork, atmospheric aerial perspective receding into haze — but with meticulous engineering accuracy on every turbine nacelle, every PV cell grid pattern, every cooling tower's hyperbolic curve. No text, no labels.