Wind onshore 10.5 GW dominates the right half of the scene as dozens of tall three-blade turbines with white tubular towers and nacelles stretching across rolling green-brown spring hills; wind offshore 5.1 GW appears in the far right background as a line of turbines standing in a dark sea glimpsed through a gap in the terrain; biomass 4.8 GW occupies the centre-right as a cluster of industrial biomass plants with rectangular stacks emitting thin white exhaust; brown coal 3.6 GW fills the left portion as two massive hyperbolic concrete cooling towers releasing heavy steam plumes lit from below by sodium-orange industrial lighting; natural gas 3.2 GW appears centre-left as a compact CCGT plant with a single tall exhaust stack and visible heat shimmer; hard coal 1.1 GW is a smaller coal plant with a single square stack behind the brown coal complex; hydro 1.1 GW is a small dam and powerhouse visible in a valley at far left. Time is 20:00 in early April — the sky is fully dark, deep navy-black, no twilight glow remains, heavy 93% overcast clouds faintly visible only where industrial light catches them from below. No solar panels anywhere, no sunlight. The atmosphere is heavy and oppressive, reflecting a high electricity price — thick low clouds press down on the landscape. Spring vegetation is emerging: pale green grass, budding deciduous trees at 12.7°C. Moderate wind at 15.7 km/h animates the turbine blades and bends young branches. Sodium streetlights cast amber pools along a road in the foreground; factory windows glow warmly. Painted in the style of a highly detailed 19th-century German Romantic oil painting — rich impasto brushwork, deep atmospheric chiaroscuro, dramatic contrast between the warm industrial glow and the cold dark sky — yet with meticulous engineering accuracy on every turbine nacelle, cooling tower, and exhaust stack. No text, no labels.