Wind onshore 30.9 GW dominates the scene as vast ranks of three-blade turbines with lattice towers and detailed nacelles stretching from the centre to the far right across rolling green spring fields, blades visibly spinning in strong wind; wind offshore 6.4 GW appears in the distant right background as a cluster of turbines rising from a grey North Sea horizon; biomass 4.5 GW is rendered as a mid-ground wood-chip-fed power station with a tall stack emitting pale steam; natural gas 2.3 GW occupies a compact CCGT facility at centre-left with a single exhaust stack and low white plume; brown coal 2.2 GW sits at the far left as a pair of hyperbolic cooling towers with faint steam drifting in the wind; solar 1.1 GW is represented by a small cluster of aluminium-framed crystalline silicon panels on a hillside, dark and inert, reflecting only grey sky; hydro 1.1 GW appears as a small concrete dam with spillway in a valley at the left mid-ground; hard coal 0.8 GW is a single modest smokestack behind the brown coal towers. The sky is a dusk scene at 19:00 in April — a rapidly fading orange-red glow barely visible along the lower western horizon, the upper sky darkening to slate grey and deep blue, heavy 98% overcast clouds streaked and layered, no stars visible. Spring vegetation: fresh green grass, budding deciduous trees bending in 32 km/h wind, scattered puddles reflecting the dim sky. Low price atmosphere: open, calm composition despite the wind, no oppressive feeling. Style: highly detailed oil painting in the tradition of 19th-century German Romantic landscape painters — Caspar David Friedrich meets industrial realism — rich colour palette of deep greens, slate greys, muted amber horizon light, visible confident brushwork, atmospheric perspective with haze, meticulous engineering detail on all turbines and power stations. No text, no labels.