Wind onshore 29.0 GW dominates the scene as vast ranks of three-blade turbines stretching across the entire right two-thirds of the canvas, their white nacelles and lattice towers receding into atmospheric perspective across rolling central German farmland; wind offshore 6.7 GW appears as a distant line of larger turbines on the far-right horizon, their red aviation warning lights blinking against the black sky; biomass 4.6 GW occupies the centre-left as a cluster of modest industrial buildings with wood-chip storage domes and steadily glowing exhaust stacks; natural gas 2.7 GW is rendered as two compact CCGT units with single tall exhaust stacks emitting thin heat shimmer, placed left of centre; brown coal 2.5 GW appears as a pair of hyperbolic cooling towers releasing pale steam plumes on the far left; hard coal 1.0 GW is a single smaller stack with a faint glow beside the brown coal facility; hydro 1.1 GW is suggested by a small weir and powerhouse nestled in a stream in the left foreground. TIME: 21:00 in April — fully dark, deep navy-black sky with no twilight glow, 84% cloud cover obscuring all stars, no moon visible. Sodium-orange streetlights line a country road in the foreground, casting warm pools of light on fresh spring grass and early wildflowers at roughly 10°C. Wind at 25 km/h bends the grass and young deciduous trees showing early pale-green leaf buds. Turbine blades show strong rotational blur. The mood is calm and open, reflecting a moderate electricity price — no oppressive atmosphere. Painted in the style of a highly detailed 19th-century German Romantic oil painting — rich, deep colour palette of Prussian blue, burnt sienna, and Naples yellow; visible impasto brushwork; atmospheric sfumato depth receding to the horizon — yet every turbine nacelle, cooling tower profile, and CCGT exhaust stack is rendered with meticulous engineering accuracy. No text, no labels.