Solar 41.2 GW dominates the scene as an enormous expanse of crystalline silicon photovoltaic panels stretching across the entire foreground and middle ground, their aluminium frames glinting under bright late-morning spring sunshine, occupying roughly 55% of the composition. Wind onshore 19.0 GW fills the right third of the background as dozens of tall three-blade turbines on lattice and tubular towers, rotors spinning briskly in moderate wind, scattered across green rolling hills with early spring vegetation. Wind offshore 4.5 GW appears at the far right horizon as a cluster of offshore turbines rising from a distant strip of grey-blue sea. Biomass 4.3 GW is rendered as a mid-sized wood-chip power station with a rectangular boiler building and a modest smokestack emitting thin white vapour, placed in the centre-left middle ground. Brown coal 2.1 GW stands as a pair of hyperbolic cooling towers with gentle steam plumes on the far left, small relative to the solar field. Natural gas 1.9 GW appears as a compact CCGT plant with a single slim exhaust stack beside the cooling towers. Hard coal 1.0 GW is a small conventional stack barely visible behind the lignite plant. Hydro 1.0 GW is suggested by a small dam and reservoir tucked into a valley at the left edge. The sky is 75% clear with scattered cumulus clouds, high spring sun at roughly 50° elevation casting crisp shadows, bright and calm atmosphere conveying extremely low electricity prices. The landscape is early-spring central German terrain — pale green meadows, bare deciduous trees just budding, patches of rapeseed. Temperature near 10°C suggested by cool-toned shadows and a faint haze on distant ridges. Highly detailed oil painting in the tradition of 19th-century German Romantic landscape masters — Caspar David Friedrich meets industrial modernity — rich luminous colour, visible impasto brushwork, atmospheric aerial perspective, meticulous engineering detail on every turbine nacelle, every PV cell row, every cooling tower curve. No text, no labels.