Wind onshore 16.0 GW dominates the right two-thirds of the scene as vast ranks of three-blade wind turbines on rolling green hills, nacelles and lattice towers rendered in precise engineering detail, blades turning steadily in moderate wind; biomass 4.5 GW appears as mid-ground industrial facilities with wood-chip conveyors and modest steam stacks occupying a significant cluster; wind offshore 3.2 GW is visible as a distant row of tall turbines along the far horizon over a sliver of grey sea; natural gas 2.6 GW is rendered as a compact CCGT plant with slender exhaust stacks and clean exhaust plumes on the left-center; brown coal 2.6 GW sits at the far left as a pair of hyperbolic cooling towers with thick white steam columns and conveyor belts of dark lignite; solar 1.9 GW appears as a modest field of aluminium-framed crystalline silicon panels in the foreground catching the last amber light; hard coal 1.6 GW is a single smaller power station with a rectangular stack beside the brown coal complex; hydro 1.3 GW shows as a concrete dam with spillway in a valley between forested hills. The sky depicts late dusk at 19:00 in April — a narrow band of deep orange-red glow clings to the lower horizon while the upper sky darkens to slate grey and indigo, with 75% cloud cover creating heavy stratiform layers. The atmosphere feels oppressive and weighty, reflecting high electricity prices — dense, brooding clouds press down. Spring vegetation at 12°C shows fresh pale-green buds on deciduous trees and green grass. Sodium streetlights begin to glow amber along a road threading through the scene. Style: highly detailed oil painting in the tradition of 19th-century German Romantic landscape painters — rich, moody colour palette of umber, slate, amber, and moss green — visible impasto brushwork — atmospheric depth with haze between the wind farm ridges and the thermal plants — meticulous technical accuracy on all energy infrastructure — the grandeur of Caspar David Friedrich meeting the industrial sublime. No text, no labels.