Wind onshore 11.3 GW dominates the right half of the scene as dozens of tall three-blade turbines with white tubular towers and slowly turning rotors arrayed across rolling dark hills; wind offshore 1.8 GW appears in the far background right as a cluster of turbines silhouetted on a barely visible sea horizon; brown coal 6.8 GW fills the left foreground as three massive hyperbolic concrete cooling towers emitting thick white steam plumes, flanked by lignite conveyor belts and an open-pit mine edge; hard coal 4.3 GW sits left of centre as a coal-fired power station with tall rectangular chimney stacks and red aviation warning lights; natural gas 4.1 GW occupies the centre-left as two compact CCGT units with single cylindrical exhaust stacks and heat-recovery steam generators, warmly lit by sodium lamps; biomass 4.1 GW appears as a mid-sized industrial plant with a woodchip storage dome and a single modest smokestack emitting faint haze, placed in the centre; hydro 1.3 GW is a small concrete dam with a reservoir glinting faintly under starlight at the far centre-right. The sky is completely black with scattered cold stars and no moon, no twilight, no sky glow — it is 3 AM deep night. Ground-level visibility comes only from orange sodium streetlights, glowing control-room windows, and red blinking tower lights. The air is near-freezing at 3.6 °C; frost coats bare early-April branches and grass in the foreground. The atmosphere feels heavy and oppressive — a thick low haze clings to the industrial structures, reflecting the high electricity price. No solar panels, no sunshine whatsoever. Painted in the style of a highly detailed 19th-century German Romantic oil painting — rich dark tones of Prussian blue, lamp black, and raw umber — with visible impasto brushwork, dramatic chiaroscuro from the industrial lighting, and meticulous engineering accuracy on every turbine nacelle, cooling tower, and exhaust stack. Atmospheric depth recedes into inky darkness. No text, no labels.