Solar 15.1 GW dominates the right third of the scene as vast fields of aluminium-framed crystalline silicon PV panels stretching across frost-whitened farmland, catching low-angle morning sunlight. Wind onshore 8.3 GW appears as a mid-ground row of three-blade turbines on lattice towers, blades turning very slowly in near-calm air. Brown coal 7.3 GW occupies the left background as a massive lignite power station with three hyperbolic cooling towers issuing thick white steam plumes into the cold air. Natural gas 6.6 GW sits left-of-centre as a pair of compact CCGT plants with tall single exhaust stacks trailing thin grey exhaust. Hard coal 5.2 GW appears as a dark coal-fired station with a single large smokestack and conveyor belt infrastructure, positioned behind the gas plants. Biomass 4.4 GW is rendered as a medium-sized wood-chip-fed plant with a modest plume near the village edge. Wind offshore 1.3 GW and hydro 1.3 GW appear as small background elements: distant offshore turbines visible on a far horizon line and a small dam structure at the edge of a river valley. The sky is perfectly clear, zero cloud cover, a cold pale blue morning sky at 08:00 in April with the sun low on the eastern horizon casting long golden shadows across the frosted landscape. Temperature is 1.1 °C: bare deciduous trees, frost on grass and rooftops, breath-like mist rising from the ground. The atmosphere feels heavy and oppressive despite the clarity, with a slightly steely quality to the light conveying expensive electricity. A small German village with red-tiled roofs and lit windows sits in the mid-ground. Style: highly detailed oil painting in the tradition of 19th-century German Romantic landscape painters—Caspar David Friedrich's atmospheric depth combined with Adolph Menzel's industrial precision. Rich colour palette of cold blues, pale golds, warm steam whites, and dark industrial greys. Visible impasto brushwork, meticulous engineering detail on every installation. No text, no labels.