Brown coal 8.1 GW dominates the left quarter of the scene as a cluster of massive hyperbolic cooling towers with thick white steam plumes rising into the black sky, lit from below by amber sodium lamps; hard coal 5.8 GW appears just right of centre as a sprawling power station with conveyor belts, tall chimneys, and glowing red furnace windows; natural gas 5.6 GW is rendered as two compact CCGT units with slim exhaust stacks venting translucent heat shimmer, positioned centre-right; wind onshore 10.4 GW fills the right third of the composition as a long ridge of three-blade turbines on lattice towers, their aviation warning lights blinking red against the darkness; wind offshore 2.8 GW appears in the far-right background as a faint line of turbines on the horizon above a dark sea; biomass 4.2 GW is shown as a modest industrial plant with a timber yard and single stack, nestled between the coal station and the wind ridge; hydro 1.3 GW is a small dam spillway in the lower foreground, water gleaming under floodlights. Time is 03:00 — the sky is completely black, no twilight, no moon, stars barely visible through industrial haze; the only illumination comes from sodium streetlights casting orange pools, facility floodlights, furnace glow, and red aviation beacons on the turbines. The temperature is near freezing: frost glistens on bare early-spring branches and on metal railings in the foreground. The atmosphere is heavy, oppressive, and industrial, reflecting a high electricity price. A network of high-voltage transmission pylons with sagging cables crosses the middle ground, carrying power from left to right. Style: highly detailed oil painting in the tradition of 19th-century German Romantic landscape painters — rich, dark palette of deep navy, burnt umber, ochre, and vermilion; visible thick brushwork; dramatic atmospheric depth with layers of steam and haze; meticulous engineering accuracy on every turbine nacelle, cooling tower curvature, and pylon insulator. No text, no labels.