Solar 50.4 GW dominates the entire foreground and middle ground as vast, sweeping fields of aluminium-framed crystalline silicon photovoltaic panels stretching toward the horizon, their blue-black surfaces gleaming under brilliant direct sun; brown coal 4.9 GW occupies the left background as a cluster of three massive hyperbolic cooling towers with thick white steam plumes rising into the sky, flanked by conveyor belt gantries and lignite bunkers; biomass 4.3 GW appears as a mid-sized industrial plant with a tall stack and wood-chip storage silos just right of the cooling towers; natural gas 3.3 GW is rendered as two compact CCGT units with sleek single exhaust stacks emitting thin transparent heat shimmer, positioned centre-left; wind offshore 2.1 GW shows as a distant row of slender white three-blade turbines on the far-right horizon suggesting a coastline, their rotors barely turning; wind onshore 1.9 GW appears as a handful of tall lattice-tower turbines on gentle green hills behind the solar fields, blades nearly still; hard coal 2.0 GW is a smaller power station with a rectangular chimney and coal conveyor at the far left edge; hydro 1.4 GW is a modest concrete dam with a thin cascade of water visible in a valley at the right edge. Time is 11:00 AM in early April—full brilliant daylight, completely cloudless cerulean sky, intense direct sunlight casting sharp shadows, spring vegetation just beginning to green with budding deciduous trees and fresh grass. Light wind barely stirs the landscape, lending an air of stillness. The atmosphere is calm and open, reflecting a zero-price market—no oppressive clouds, no tension, just radiant abundance. Style: highly detailed oil painting in the tradition of 19th-century German Romantic landscape painters such as Caspar David Friedrich crossed with industrial realism—rich saturated colour, visible impasto brushwork, luminous atmospheric depth, dramatic sense of scale, meticulous engineering accuracy on every turbine nacelle, every PV cell edge, every cooling tower's hyperbolic curve and concrete texture. No text, no labels.