Solar 54.9 GW dominates three-quarters of the scene as an immense plain of crystalline silicon photovoltaic panels stretching from the foreground deep into the middle distance, their aluminium frames glinting under brilliant midday sun, angled southward on metal racks across green spring fields. Brown coal 3.6 GW appears at the left edge as a cluster of three hyperbolic concrete cooling towers with lazy white steam plumes drifting in still air, beside a lignite conveyor and ash-grey stockpile. Wind onshore 2.2 GW and wind offshore 2.4 GW together occupy a narrow band at the right horizon: a dozen three-blade turbines on lattice and tubular steel towers turning very slowly in the faint breeze, some placed on a distant grey-blue sea strip suggesting the North Sea. Natural gas 2.5 GW sits as two compact CCGT plant blocks with single tall exhaust stacks emitting thin heat shimmer, tucked between the solar field and the coal plant. Hard coal 1.2 GW is a single smaller stack with a coal bunker visible behind it, near the brown coal group. Biomass 4.1 GW appears as a mid-sized industrial building with a wood-chip silo and a modest smokestack with faint white exhaust. Hydro 1.3 GW is suggested by a small dam and spillway visible along a river in the far middle ground. The sky is 72% clear, a luminous pale blue with scattered white cumulus clouds; the sun is high and nearly overhead, casting short shadows. Spring vegetation: fresh bright-green grass, early leaf buds on deciduous trees along field borders, wildflowers beginning to dot the meadows. Temperature is mild, 15 °C, conveyed by light clothing on two tiny figures inspecting panels. The atmosphere is calm, open, and expansive, with deep spatial recession. Painted in the style of a highly detailed 19th-century German Romantic oil painting — rich saturated colour, visible confident brushwork, golden atmospheric light reminiscent of Caspar David Friedrich crossed with Adolph Menzel's industrial precision — every turbine nacelle, every PV cell grid line, every cooling tower's parabolic curve rendered with meticulous engineering accuracy, yet unified into a sweeping, contemplative landscape composition. No text, no labels.