Wind onshore 13.6 GW dominates the right half of the scene as dozens of tall three-blade turbines on lattice towers stretching across rolling hills, rotors visibly turning in moderate wind; wind offshore 4.6 GW appears in the far right background as a cluster of turbines rising from a dark sea glimpsed through a gap in the terrain; brown coal 7.8 GW occupies the left foreground as a massive lignite power station with three hyperbolic cooling towers emitting thick white steam plumes lit from below by orange sodium lamps; hard coal 6.1 GW sits just right of centre-left as a coal-fired plant with tall rectangular boiler houses and a pair of striped chimneys trailing grey smoke; natural gas 6.2 GW appears at centre as two compact CCGT units with sleek single exhaust stacks and visible heat shimmer; biomass 4.6 GW is rendered as a mid-ground wood-chip-fed CHP plant with a corrugated steel building and a modest stack; hydro 1.3 GW appears as a small concrete dam and penstock structure nestled in a valley at far left. No solar panels anywhere — it is fully night. The sky is completely dark, deep navy to black, with 100% cloud cover blocking all stars, an oppressive heavy overcast ceiling pressing down on the scene. All facilities are lit by harsh orange and white industrial lighting — sodium streetlights lining access roads, floodlights on cooling towers, glowing control-room windows. Spring vegetation: fresh green grass and budding deciduous trees visible in the artificial light, temperature mild at 13.5°C. The atmosphere feels heavy and close, reflecting the high electricity price. Rendered as a highly detailed oil painting in the tradition of 19th-century German Romantic landscape painters — rich saturated colour, visible confident brushwork, deep atmospheric perspective — but with meticulous engineering accuracy on every turbine nacelle, cooling tower contour, and exhaust stack. No text, no labels.