Brown coal 7.9 GW dominates the left quarter as a cluster of massive hyperbolic cooling towers with thick white-grey steam plumes rising into the night, lit from below by sodium-orange industrial lamps; hard coal 6.2 GW sits just right of centre as a hulking power station with conveyor belts, stockpile silhouettes, and tall chimneys trailing lighter smoke; natural gas 6.3 GW appears as a pair of compact CCGT plants with slender exhaust stacks and glowing turbine halls between the coal installations; wind onshore 16.7 GW spans the entire right half and background as dozens of tall three-blade turbines on lattice and tubular towers, their red aviation warning lights blinking against the black sky, rotors visibly turning in moderate wind; wind offshore 5.1 GW is suggested in the far right distance as a line of turbines with nacelle lights just above a dark horizon line; biomass 4.6 GW appears as a mid-ground facility with a rounded silo and wood-chip conveyor, warmly lit from within; hydro 1.3 GW is a small run-of-river station at the lower left edge, water glinting under floodlights. The sky is completely dark, deep navy-black, 100% cloud cover erasing all stars, no twilight or sky glow whatsoever — only artificial light sources illuminate the scene. The atmosphere feels heavy and oppressive, hinting at the high electricity price. Spring vegetation — fresh pale-green leaves on scattered birch and willow trees — is barely visible in the industrial light. Puddles on access roads reflect the amber glow of streetlamps. Painted in the style of a highly detailed 19th-century German Romantic oil painting — rich, dark palette with dramatic chiaroscuro, visible impasto brushwork, atmospheric depth receding into misty industrial haze — yet every turbine nacelle, cooling tower profile, and CCGT stack is rendered with meticulous engineering accuracy. No text, no labels.