Brown coal 8.0 GW dominates the left quarter as a cluster of massive hyperbolic cooling towers with thick white steam plumes rising into a leaden sky; natural gas 7.9 GW occupies the centre-left as a row of compact CCGT power blocks with tall single exhaust stacks emitting thin grey plumes; hard coal 4.3 GW appears centre-right as a heavy industrial complex with rectangular boiler houses, conveyor belts, and a coal stockpile; wind onshore 13.6 GW spans the entire right third and background as dozens of three-blade turbines on lattice and tubular towers spread across rolling hills, their blades turning slowly in light wind; wind offshore 5.6 GW is suggested on the far-right horizon as a line of turbines standing in a barely visible grey sea; biomass 4.2 GW appears as a mid-ground wood-chip-fueled plant with a modest smokestack and timber yard; hydro 1.3 GW is a small dam and powerhouse nestled in a valley at far left. No solar panels visible anywhere. Time of day is early dawn — the sky is a deep blue-grey with the faintest pale steel-blue glow along the eastern horizon, no direct sunlight, no warm tones; 99% cloud cover creates a heavy, uniform overcast pressing down on the landscape. Temperature near freezing: bare deciduous trees, patches of frost on brown grass, last remnants of winter. The atmosphere feels oppressive and weighty, reflecting the high electricity price — a thick, humid haze clings to the valley floor. Rendered as a highly detailed oil painting in the tradition of 19th-century German Romantic landscape painters such as Caspar David Friedrich and Carl Blechen — rich, dark colour palette of slate greys, umber browns, and muted indigo blues, visible impasto brushwork, atmospheric perspective with misty depth, dramatic chiaroscuro from artificial sodium-orange facility lighting against the dark pre-dawn sky. Each energy technology is painted with meticulous engineering accuracy: turbine nacelles and three-blade rotors, aluminium-clad industrial buildings, hyperbolic reinforced-concrete cooling tower shells with visible ribbing, conveyor gantries. Glowing windows and amber industrial floodlights punctuate the darkness. No text, no labels.