Solar 38.1 GW dominates the entire centre and right of the composition as vast rolling fields of aluminium-framed crystalline silicon photovoltaic panels stretching to the horizon, catching diffuse white light from an overcast sky; wind onshore 9.3 GW appears as clusters of tall three-blade turbines with white nacelles and lattice towers scattered across green spring hills in the mid-ground right; wind offshore 5.4 GW is visible in the far background as a line of turbines standing in a grey sea along the horizon; biomass 4.0 GW is rendered as a mid-sized industrial plant with a timber-clad facade and a single stack emitting pale steam, positioned left of centre; brown coal 3.5 GW occupies the far left as two hyperbolic concrete cooling towers with thin white steam plumes rising into the overcast; natural gas 3.0 GW sits beside the coal as a compact CCGT facility with a single tall exhaust stack and low-profile turbine halls; hydro 1.2 GW appears as a small concrete dam with a green reservoir nestled in a valley at the far left edge; hard coal 0.8 GW is a single small stack with faint exhaust barely visible behind the lignite towers. The time is 3 PM on an April afternoon — full daylight but entirely overcast, with a flat luminous white-grey sky casting even shadowless illumination across the landscape. Spring vegetation is lush bright green, wildflowers dot the meadows, temperature is mild at 16.8°C. A gentle breeze bends grasses slightly. The atmosphere is calm and open, reflecting the mildly negative electricity price — no oppressive clouds, just an even pearlescent canopy. Highly detailed oil painting in the tradition of 19th-century German Romantic landscape painters — rich saturated colour, visible impasto brushwork, atmospheric depth with soft aerial perspective. Each energy technology rendered with meticulous engineering accuracy: three-blade rotor geometry, PV panel grid patterns, cooling tower hyperboloid curves, CCGT exhaust stacks with heat shimmer. The scene reads as a masterwork industrial landscape painting. No text, no labels.