Solar 19.9 GW dominates the foreground as vast fields of aluminium-framed crystalline silicon PV panels stretching across flat central German farmland, their surfaces reflecting a uniform white-grey overcast sky — no direct sunlight, completely clouded; wind onshore 10.9 GW fills the middle distance as dozens of three-blade turbines on lattice and tubular towers, rotors spinning briskly in visible wind bending the early-spring grass; wind offshore 3.9 GW appears as a row of taller turbines on the far horizon suggesting the North Sea coast; brown coal 8.0 GW occupies the left quarter as a cluster of massive hyperbolic cooling towers with thick white steam plumes drifting sideways in the wind, beside conveyor belts and lignite bunkers; natural gas 5.8 GW sits centre-left as compact CCGT units with slim exhaust stacks emitting thin heat shimmer; hard coal 4.8 GW appears as a single large power station with rectangular boiler house and a tall chimney with faint grey exhaust; biomass 4.2 GW is rendered as a wood-clad CHP plant with a modest stack and a pile of wood chips beside it; hydro 1.3 GW is a small run-of-river weir with turbine house visible along a river cutting through the scene. Full midday daylight at 11:00 but entirely diffused — no shadows, a heavy 100% overcast ceiling pressing low, giving an oppressive leaden atmosphere reflecting the high electricity price. Temperature near 10°C: early spring vegetation, bare deciduous trees just showing first pale-green buds, brown-green fields. The sky is a thick, unbroken blanket of stratiform cloud from horizon to horizon, grey-white and heavy. Painted in the style of a highly detailed 19th-century German Romantic oil painting — rich impasto brushwork, atmospheric depth and aerial perspective, meticulous engineering accuracy on every turbine nacelle, every cooling tower flute, every PV cell grid line — evoking Caspar David Friedrich meets industrial realism. No text, no labels.