Brown coal 7.4 GW occupies the left quarter as a cluster of massive hyperbolic cooling towers with thick white steam plumes rising into the black sky, surrounded by conveyor belts and lignite stockpiles; natural gas 8.5 GW fills the centre-left as three tall CCGT exhaust stacks with glowing orange flare tips and compact turbine halls lit by harsh sodium lamps; hard coal 4.9 GW appears centre-right as a smaller coal-fired plant with a single rectangular chimney and coal hoppers, warm industrial lighting spilling from its windows; wind onshore 5.4 GW stretches across the right third as a line of three-blade turbines on lattice towers, their red aviation warning lights blinking faintly, rotors turning slowly; biomass 4.2 GW is visible as a mid-ground wood-chip-fed CHP plant with a modest stack and warm interior glow; hydro 1.4 GW appears as a small dam structure with illuminated spillway in the far right background; wind offshore 0.3 GW is barely suggested as a single distant turbine silhouette near the horizon. The scene is set at 1 AM in April — completely dark, deep-navy-to-black sky with no twilight, no stars visible due to 98% cloud cover forming an oppressive low overcast ceiling faintly lit from below by industrial light. The atmosphere feels heavy and close, with a cold 4.7°C chill suggested by frost on bare early-spring branches in the foreground and by the density of the cooling tower plumes. Puddles on an asphalt road in the immediate foreground reflect orange sodium streetlights. The landscape is flat central German lowland with bare deciduous trees and early spring grass barely greening. Style: highly detailed oil painting in the tradition of 19th-century German Romantic landscape masters — Caspar David Friedrich's darkness and atmospheric gravity merged with meticulous industrial-age engineering detail — rich impasto brushwork, deep chiaroscuro, warm industrial oranges against cold blue-black night, atmospheric depth and haze from steam and low clouds. No text, no labels.