Brown coal 7.3 GW occupies the left quarter as three massive hyperbolic cooling towers with thick white steam plumes rising into darkness; natural gas 7.9 GW fills the centre-left as a compact CCGT power station with tall slender exhaust stacks and illuminated control buildings; hard coal 4.9 GW appears centre-right as a heavy industrial block with a single large smokestack and conveyor belt infrastructure; wind onshore 6.8 GW spans the right third as a row of large three-blade turbines on lattice towers turning very slowly; wind offshore 0.8 GW is suggested by distant tiny turbines on a dark horizon line; biomass 4.2 GW appears as a mid-sized wood-chip-fed plant with a modest stack and warm interior glow near the coal station; hydro 1.4 GW is a small dam structure with spillway visible at the far right edge. TIME: 2 AM, completely dark — black sky with no twilight, no moon visible, partial cloud cover obscuring some stars. All facilities lit by harsh sodium-orange industrial floodlights and safety beacons on turbine nacelles. The atmosphere is heavy and oppressive, a faint haze hanging over the thermal plants suggesting high electricity prices. Temperature near freezing: patches of frost on bare early-spring ground, dormant grass, leafless deciduous trees silhouetted against facility lights. No solar panels anywhere. Foreground: a dark ploughed field with frost crystals catching artificial light. Style: highly detailed oil painting in the tradition of 19th-century German Romantic landscape painters — Caspar David Friedrich's sense of sublime darkness merged with meticulous industrial realism. Rich deep navy, amber, and charcoal tones, visible brushwork, atmospheric depth. Each technology rendered with correct engineering detail: turbine nacelles with three-blade rotors, aluminium-framed structures, lignite hyperbolic cooling towers with realistic steam dynamics, gas CCGT exhaust stacks with heat shimmer. No text, no labels.