Wind onshore 30.7 GW dominates the right two-thirds of the scene as vast ranks of three-blade turbines on lattice towers stretching across a dark rolling landscape, rotors spinning visibly in strong wind; wind offshore 5.4 GW appears as a distant cluster of larger turbines on the far-right horizon above a barely visible sea line, their red aviation warning lights blinking; natural gas 4.8 GW occupies the centre-left as a compact CCGT plant with twin exhaust stacks venting thin heat shimmer under floodlights; biomass 4.7 GW sits just left of centre as a squat industrial facility with a tall smokestack and wood-chip conveyors lit by sodium lamps; brown coal 4.0 GW fills the left foreground as two hyperbolic cooling towers emitting pale steam plumes, illuminated from below by industrial orange light; hard coal 1.4 GW appears as a smaller single stack behind the brown coal plant with a modest glow; hydro 1.3 GW is represented by a small dam spillway glinting under a lone floodlight in the far left background. The sky is completely dark, deep navy-to-black, 100% overcast with no stars and no moon visible, no twilight glow whatsoever—it is 21:00 at night. The only light sources are artificial: sodium streetlights casting amber pools along roads between the plants, industrial floodlights on the power stations, red blinking nacelle lights on the turbines receding into the distance. Spring vegetation—fresh green grass and budding deciduous trees—is faintly visible where light spills. The atmosphere is slightly heavy and humid, hinting at the moderate electricity price. Highly detailed oil painting in the tradition of 19th-century German Romantic landscape painters—Caspar David Friedrich meets industrial sublime—rich deep colour palette of navy, amber, slate grey, and ochre, visible impasto brushwork, atmospheric depth and aerial perspective, meticulous engineering detail on every turbine nacelle, cooling tower, and exhaust stack. No text, no labels.