Wind onshore 15.9 GW dominates the right two-thirds of the scene as dozens of tall three-blade turbines with white tubular towers and nacelles stretching across rolling central German hills; wind offshore 3.8 GW appears in the far background right as a cluster of turbines on a dark horizon line above a faintly visible sea; brown coal 5.1 GW occupies the left foreground as a large lignite power station with three massive hyperbolic cooling towers trailing thick white steam plumes into the night sky, lit from below by orange sodium lights; biomass 4.2 GW sits left of centre as a medium-sized industrial plant with a tall stack and a wood-chip fuel yard illuminated by floodlights; natural gas 3.1 GW appears centre-left as a compact CCGT facility with a single sleek exhaust stack and a small visible heat shimmer; hydro 1.3 GW is suggested by a concrete dam structure nestled in a valley in the mid-ground; hard coal 0.7 GW is a small traditional power station with a single square chimney barely visible behind the lignite complex. TIME: 03:00 at night — completely dark sky, deep navy-black, no twilight, no moon visible, full 100% cloud cover erasing any stars, heavy oppressive overcast atmosphere reflecting the 85 EUR/MWh price. Artificial lighting only: orange-yellow sodium streetlamps line a road in the foreground, industrial facilities glow with warm artificial light, cooling tower steam is dramatically backlit by plant lighting. Spring vegetation beginning to green on the hillsides but muted in darkness. Moderate wind animates the turbine blades with visible motion blur and bends young April grass. Highly detailed oil painting in the tradition of 19th-century German Romantic landscape painters — rich dark palette of deep blues, blacks, burnt oranges, and warm industrial yellows — visible confident brushwork, atmospheric depth with misty layers receding into darkness, meticulous engineering detail on every turbine nacelle, cooling tower, and exhaust stack. The scene evokes Caspar David Friedrich's sense of sublime scale but applied to an industrial nocturne. No text, no labels.