Wind onshore 10.6 GW dominates the right half of the scene as dozens of tall three-blade turbines with white tubular towers and detailed nacelles stretching across rolling green-brown early-spring hills; wind offshore 4.9 GW appears in the far right background as a cluster of turbines rising from a grey North Sea horizon. Brown coal 5.1 GW occupies the left foreground as three massive hyperbolic cooling towers emitting thick white steam plumes, flanked by conveyor belts carrying dark lignite. Biomass 4.3 GW sits left of centre as a wood-chip-fed industrial plant with corrugated metal sidings and a modest stack trailing pale smoke. Natural gas 3.0 GW appears at centre as a compact combined-cycle gas turbine facility with a single tall exhaust stack and visible heat shimmer. Hydro 1.3 GW is a small concrete run-of-river dam with water flowing over a weir in the middle distance. Hard coal 0.7 GW is a small dark power station partially obscured behind the gas plant. The sky is entirely overcast with thick, low stratocumulus clouds in oppressive grey tones — no break in the cloud, no sun, no pink or orange — conveying the heavy atmosphere of a high-price hour. The light is the faintest pre-dawn glow: a pale steel-blue luminosity barely illuminating the eastern horizon through the cloud layer, the landscape mostly in deep blue-grey shadow with sodium-orange streetlights still burning along a road in the foreground. Bare birch and oak branches with only the earliest tiny leaf buds suggest early April at 6°C. Grass is damp and muted green-brown. Power lines on lattice pylons cross the scene diagonally, symbolizing the heavy import flows. Style: highly detailed oil painting in the tradition of Caspar David Friedrich and Carl Blechen — rich, moody colour palette of slate greys, deep blues, warm industrial oranges; visible impasto brushwork; atmospheric perspective with misty depth; meticulous engineering detail on every turbine blade, cooling tower curvature, and gas-plant pipe array. No text, no labels.