Solar 11.9 GW occupies the broad centre-right as vast fields of aluminium-framed crystalline silicon PV panels stretching across flat farmland under a uniformly grey overcast sky, their surfaces reflecting diffuse white light; wind onshore 5.2 GW appears as clusters of three-blade turbines with white tubular towers on gentle hills in the mid-ground left; wind offshore 5.7 GW is suggested by a distant row of turbines along a hazy North Sea horizon at the far left; brown coal 4.7 GW dominates the left foreground as two massive hyperbolic cooling towers emitting thick white steam plumes that merge with the leaden clouds; biomass 4.6 GW is rendered as a mid-sized industrial plant with a tall chimney and wood-chip storage dome nestled among bare-branched early-spring trees; natural gas 2.9 GW appears as a compact combined-cycle gas turbine facility with a single slender exhaust stack and a modest steam wisp in the centre-left; hydro 1.3 GW is a small run-of-river weir with churning white water in the lower right corner; hard coal 0.7 GW is a single smaller smokestack partially hidden behind the lignite complex. The lighting is full April-morning daylight at 09:00 but entirely diffuse — no shadows, no sun disc visible — with a flat pearl-grey sky covering the entire canopy. The atmosphere is mildly heavy and oppressive, reflecting moderate electricity prices. Early spring vegetation: pale green buds on deciduous trees, damp brown fields, patches of last frost on shaded ground, temperature near 7–8 °C conveyed by figures in jackets. Light wind stirs the grass. Painted in the style of a highly detailed 19th-century German Romantic oil painting — rich impasto brushwork, atmospheric depth with receding layers of mist, warm earth tones contrasting cool grey skies — yet every turbine nacelle, every PV cell grid, every cooling tower flute is rendered with meticulous engineering accuracy. No text, no labels.