Brown coal 7.6 GW dominates the left third of the scene as a massive lignite power complex with four hyperbolic cooling towers emitting thick white-grey steam plumes; solar 4.5 GW appears as a broad field of aluminium-framed crystalline silicon panels in the centre-left middle ground, their surfaces dull under overcast; natural gas 4.4 GW occupies the centre as two compact CCGT units with tall single exhaust stacks venting thin heat haze; biomass 4.4 GW sits centre-right as a wood-chip-fed industrial plant with a broad smokestack and conveyor belt; hard coal 1.9 GW appears right of centre as a single smaller coal station with a tapered chimney; wind onshore 1.6 GW is rendered as a small cluster of three-blade turbines on a distant ridge at centre-right, blades nearly motionless; wind offshore 1.4 GW appears as faint silhouettes of offshore turbines on a far horizon line to the far right; hydro 1.5 GW is a modest dam and powerhouse nestled in a valley at the far right edge. The sky is entirely overcast at 18:00 in mid-April — a dusk scene with a narrow band of muted orange-red glow along the lowest horizon, rapidly fading upward into heavy slate-grey clouds that press down oppressively, reflecting the 135.4 EUR/MWh price tension. The landscape is early spring: fresh pale-green buds on deciduous trees, brown-green grass, cool 12°C atmosphere with still, damp air. Transmission pylons and high-voltage lines stretch across the scene connecting the plants, emphasising interconnection. Highly detailed oil painting in the tradition of 19th-century German Romantic landscape painters — rich impasto brushwork, deep atmospheric perspective, dramatic chiaroscuro from the fading dusk light against industrial steam and smoke, meticulous engineering detail on every turbine nacelle, cooling tower, and panel frame. No text, no labels.