Brown coal 8.9 GW dominates the left third of the scene as a massive lignite power station with four hyperbolic cooling towers emitting thick white steam plumes into grey air; natural gas 8.1 GW occupies the centre-left as a row of modern CCGT units with tall slender exhaust stacks releasing thin vapour trails; hard coal 4.4 GW appears centre-right as a dark brick-and-steel power station with squat chimneys; wind onshore 8.4 GW fills the right third as dozens of three-blade turbines on lattice and tubular towers spread across low rolling hills, blades turning slowly in light wind; wind offshore 2.1 GW is visible in the far-right background as a small cluster of turbines on the horizon above a grey sea; biomass 4.4 GW appears as two medium wood-chip-fired plants with modest stacks amid timber yards in the middle ground; hydro 1.4 GW is a concrete run-of-river weir and powerhouse along a river in the foreground; solar 2.3 GW is represented by a small field of aluminium-framed crystalline silicon panels in the centre foreground, their surfaces dull and reflecting only grey sky, generating minimal power. Time of day is dawn at 07:00 in April: the sky is a deep blue-grey pre-dawn light with no direct sun, no warm tones, the horizon showing only the faintest pale steel-blue luminance. Cloud cover is total — a heavy, unbroken overcast ceiling pressing low. Temperature is cool at 7.6°C; bare early-spring trees with just the first hints of budding leaves, dormant brown grass, patches of lingering frost. The atmosphere is oppressive and heavy, reflecting the high electricity price — the air feels dense, almost metallic. Rendered as a highly detailed oil painting in the tradition of 19th-century German Romantic landscape painters such as Caspar David Friedrich and Carl Blechen, with rich dark colour palette, visible impasto brushwork, deep atmospheric perspective, and meticulous engineering detail on every turbine nacelle, cooling tower, and smokestack. No text, no labels.